#this isn't my best work but i didn't have time to do something else so yeah

[itsa-me-lily]

God I love this au, it's feeding me so good today. The last one with the part about only one bedroom has me thinking about a sick reader, the gross kind of sick where you're sweaty and wheezy and snotty, and the fact that if it were anyone else Simon would be quarantining them. But because it's his spouse, he wakes up to you nasally wheezing and mouth breathing while sprawled across him, and all he can think about is when you're due for your next round of medicine and if he needs to buy more tissues.

Sometimes love comes coated in mucus, and is reciprocated with an artificial cherry taste. Also do the guinea pigs have names and what do they look like?

I'm dying. This is the first ever ask I've ever gotten (that I recall) and I'm going to pass away. Also "sometimes love comes coated in mucus, and is reciprocated with an artificial cherry taste" that is such a good line, I'm apologizing in advance if I steal it.

Also warning for content of being sick, this is based off my last bout of plague.

Also Also Here's the Masterlist

Bedsharing in general does not happen at first. (Now I want to percolate an idea about sharing the bed for the first time). You're way to use to having your own bed that sharing with someone means you're not sleeping easily and I think Simon would rather sleep with the guinea pigs in their cage than have another human being that close to him when he sleeps. (This was also not something he initially thought about when being told a spouse was to be picked)

So what's the solution? Obviously bunk beds! Kind of, sorta...okay not really but the look on Simon's face when you had suggested getting bunk beds had been entertaining. Who knew so much indignation could come through a medical mask. Really his eyebrows did so much talking.

With the dream of bunkbeds dashed, the next best solution was either two twin beds crammed into the bedroom with a bedside's worth of space between them, or a pull out couch. You managed to find a couch same day that didn't terribly clash with the artwork you have yet to hang up.

You two actually manage to come up with a schedule for who slept where. Obviously you'd get the bed when Simon was deployed, made no sense for you not to. And when he was home the bed was all his unless he was having a night that he knew he wasn't going to trust a deadbolt to keep monsters at bay. Then he made himself comfortable, TV playing low until he managed a few hours in the early morning before you try to leave a silently as you can for work.

(Funny thing, even if you aren't sharing a bed traditionally, you both most certainly have your own sides, along with bed stands that told two different stories)

The first time you get sick is when Simon is technically deployed. Well actually, the day he returns is the day you spike a 101.8 fever and work forces you to go home so you don't become a walking petri dish and expose the college kids that come into your office.

Once you're home you appease the little beasts demanding some sort of vegetal boon, change into the rattiest clothes you have, and then huddle under a staggering amount of blankets that have made their home on your bed. (Simon may have side eyed them when you first set them out, but you've seen the mountain he creates under them, you knew the magic of weighted blankets)

Sleep isn't peaceful, you hadn't broken out the Nyquil quite yet, but you do manage to drift off for a few hours. And then the coughing starts. It's the kind that's a bitch to deal with, dry and pushing your ribs to the limit with how often they can expand and contract. By the time Simon comes home you've steamed yourself twice, taken only a smidge over the recommended amount of cough suppressant, and slathered yourself with Vic's Vaporub. All in all, you were properly miserable.

You're in the kitchen, staring into the abyss of your over-steeping tea as if it will magically make you feel better if you only sell your soul to it, really a tempting offer, when the wheeks of the pigs announce that another person they know has arrived.

If Simon wasn't clued in that something was off at seeing you home before the end of your work day, the pungent smell of menthol would have been a dead give away. You're still communing with your tea when he knocks against the wall, pulling you out of the deal for your soul to meet him with bleary eyes and a flushed face.

You croak out a greeting that makes Simon wince in sympathy, though that's about all he really does. Simon doesn't really do pleasantries and doting probably wouldn't be the first word people use to describe him, so with your brain function reduced by an overflow of mucus and fever, the kitchen was rather silent.

Until you started coughing, face buried into the crook of your elbow to try to keep your contagion to a minimum and back bowing to nearly double you over. That drives Simon to action, coming to try to keep you up incase you collapse, grabbing your free arm.

When you feel him touch you, you try to pull away, shaking your head and finally finishing your bout, gasping a little as you try to daunting task of breathing and speaking to dissuade him from getting close lest he catches what you have. He clearly wasn't persuaded, hands clenching and unclenching like he simply wanted to pick you up and put you...somewhere.

How exactly Simon Riley would take care of you, he didn't know but he'd be damned sure to at least try. He'd been left to fend for himself while sick before and he didn't like the idea of you going through that. When it was clear that he wasn't going to just leave you to your suffering you relented enough to try to reach a compromise; if he'd be alright watching the pigs while you were sick that would be more useful than a nursemaid while you camped out on the couch.

That...that was something Simon could do. He'd watched how you took care of the boys, surely this was something he could do. And then his brain caught up to the rest of what you had said. There was no way he was going to let you sleep on some pull out couch, as nice as it was. Being Sick meant sleeping in a proper bed, on a mattress that didn't spend it's days folded up.

You tried to insist it was alright but he wouldn't listen to a word of it. Instead he practically herded you back to the bedroom, ignoring your murmurs of your abandoned hot beverage. He didn't lift you to plop you onto the bed itself but it was a near thing. He had to bribe you with the promise of a proper cup of tea for you to even lay your head on your pillow, eyes already heavy with the need for sleep. By the time he had actually made a cup you were out for the count, nasally mucus filled snores letting him know you hadn't perished in the time it took him.

The next few days were filled with mucus, the attempted escape of your lungs via coughing fits, and more Vics than the human body should be exposed to. And the entire time you insisted that you could fend for yourself. Simon didn't push to play nurse, but your tissues never ran out, a dose of medication was always ready on your bedside, and a warm cup of tea stood waiting for you after each nap, like a solider committed to his guard.

Edit;

I'm going to make a separate post for the guinea pigs, because honestly I'm torn on if they're based on my guinea pigs I used to have, or guinea pigs I'd want to have in the future

[thatonecrookedsmile]

I decided to finally color and post this thing I made a few months ago since we're getting close to BATDR's anniversary.

Consider this a fun concept based on a few things at the very least,or a Headcanon Based On Nothing At All at most. The "basis" for this comes from the fact that the Keepers' body and head are some kind of suit, with the zipper and "lens" being the most notable details of this. Which I found interesting.

Now,could the fact that they look like suits just be a side effect of them being offshots of the Machine? Yeah,yes it could. At the end of the day,the fact that they look like that can only be summed up as "they were created that way". Wilson just accidentally created cool-looking OCs. I doubt we'll get any kind of lore drop for the Keepers in the future beyond what we already know about them (but I could always be wrong).

The moment of inspiration that led me to do these sketches was when I was reading FTB and I was thinking about Gent and their experiments for a bit. The Keepers ended up getting into those thoughts at some point,which resulted in me doing… this!

So,yeah,what if the Keepers, before the Dark Revival,were old GENT containment suits?

Essentially,in my head,when JDS closed its doors,Gent continued the ink experiments in its own workshop,and the suits above were worn by the company's scientists while conducting some of these experiments. While we don't know what else the guys at Gent were doing beyond what we saw in BATDR and FTB,I don't think it's far-fetched to say that not even their scientists would want to touch the damned ink,which,as we know,is best kept away from. So,the suits are used.

In 1952,the workshop was condemned and closed. Eventually,the location and by extension - the technologies,the experiments and things like the suits - ended up in the Ink Realm. Fast forward to 72/73,the whole thing about Wilson finding out and taking control of the Cycle happens. When it came to creating his own "guards" to help with his plans in the Cycle,I guess he just. Took stuff from the Gent workshop like the suits and other stuff like gears and pipes,threw it all through the Ink Machine and uhhhhhhh,boom,the Keepers are created.

Again,I wouldn't take this as a serious theory/speculation,and as said,more as ideas and concepts based on so little that I decided to put on paper. (Might as well consider all of this potential AU stuff)

Additional stuff:

- I didn't make the outlines and the helmet's lens glow in the first 2 sketches because I realized that it wouldn't make much sense in the suits? The Keepers,sure,make sense,but for the suits themselves? Not so much. So I left them "switched off",with the exception of the third sketch,done at the time when I hadn't thought about this detail any further.

- The idea for the fourth sketch,the gas mask,came to me while looking at reference images of real-life hazmat suits. I thought it might be intriguing to have Gent scientists wear these masks under their suits,so I sketched it out to get a better idea. The mask itself was based on one of the scrapped Keeper designs, the ones that had the more "alien" feel to them. I don't know if it would fit inside the Keeper suit,but it's still something I wanted to consider.

I also like this whole concept of the suits for two other reasons. First, it gives the Keepers an origin that predates Wilson and the Dark Revival. Second, reusing old Gent suits to create his own guards isn't that far-fetched for a man whose entire rise to power within the studio and plan to overthrow the Ink Demon has depended on the work (and existence) of others to come to fruition. So that wouldn't be so absurd.

Also,here's 2 bonus sketches. The second one has nothing to do with what I've said so far, it's just something I was playing around with at the time.

[plaest2k]

hey, im a young nz artist too and i like making comics/want to do something bigger when im older, and i think your stuff is genuinely so fucking cool. i love it so much. i was wondering how you pursued art after highschool, like did you go to art school? if so, where and what was that like, and if not, how’d you find the time to continue doing it? its always felt like my opportunities for a career in art specifically seem smaller living in nz, but idk your stuff inspires me to think otherwise. thank you :)

kia ora!!

thanks so much for asking, it's truly so flattering that a young nz artist would ask me for advice! <3 sadly i might not necessarily be the best person to ask...

First of all, it's been a loooooong time since i've been a young artist hahaha I'm 32. After high school, I studied architecture at university because, as you're probably aware, we don't really have art schools like our peers do overseas. But after studying for a few years, I had a major depressive episode and dropped out. After that, I ran away to Korea to teach english for a year before coming back to work in cafes for about 6 years. Back then I was pursuing a career in editorial illustration cause that's what all my favourite artists were doing but I didn't realise that it was a dying industry at the time and there weren't exactly lot of full-time professional artists here who could have warned me...

So after about 10 years of trying to piece together some kind of profession in illustration, I ended up looking for a tattoo apprenticeship which was looking pretty promising but my bosses turned out to be not-so-great people. I tried to keep tattooing on my own but that was around the time COVID hit which wasn't (and still isn't) great for a job that requires you meet face-to-face with a lot of people. So, since the pandemic began, I've just been subsisting off of jobseeker, chipping away at comics and the occasional illustration gig.

The whole experience had me perpetually burnt out for the past ~15 years and made me realise that art as a career really just shouldn't be a thing. Under capitalism, it requires either an embarrassing level of compromise, privilege or luck to pursue. All the household-name artists you know in NZ either come from privilege or got unbelievably lucky. I don't say this as a value judgment or anything, most of them are truly wonderful people, it's just what I've learned about them as colleagues who've worked together a few times over the years.

I don't fault anyone for wanting to pursue that, but if you want to make uncompromising art that makes you feel fulfilled, you can't stake your livelihood on it. Art is supposed to be a by-product of life well lived, not content to be sold.

It's why I'm making plans to go back to uni next year to switch careers into a cushy office job because, as you've observed, even if you still want to pursue this as a full-time career, opportunities for artists in Aotearoa is extremely limited.

Having said all that, there's still a lot of nuance to this whole thing that would take me too long to cover in a tumblr post, so if you'd like me to elaborate or anything or have more questions, you're more than welcome to contact me through my email: plaest2k@gmail.com!

And this offer extends to literally anyone who might be looking for advice or just wants to talk about art <3

Final thing: the thought of studying something else at college/ university and keeping your art as a hobby might sound bleak when you're young, but life is so much longer than you think. You might feel like you have limitless creativity and ideas at the moment but when it becomes your entire life, you burn through it all faster than you'd think. It's because you need fuel to inform what you make and you can't get that from just making art. Like I always say, art is a by-product of a life well lived; You need life-experiences; You need to love, hate, care, be hated and loved to make art and you can't do that if you're too busy to do any of that. Those 3 years you spend on a bachelors is nothing in comparison to a lifetime of staring at a blank page, agonizing over what to make next.

[sparklingcurepeace]

First and foremost I want to start off by saying that I had planned to respond to this all on the day your reply was sent to me. My thoughts were already spiraling with what to say, both out of eagerness and fear, because I didn't expect you to ask me a question directly—So I hope I can clear up a little bit as to why I think anime appeals to such a broad audience, including myself.

Whether or not it will make sense to you or be satisfactory, I can not guarantee.

Hopefully this doesn't become crazy long or sound like a ramble, but I can't guarantee that either. 😅

I am by no means an expert on Japanese culture. Heck, I am no expert on western culture and I live in America. So when you say anime isn't really your thing, mainly because you don't understand the culture of it, I think that's actually pretty valid. Maybe to others who have read or will read this post, your words came off strong, but at least you were honest. Much of what you said, believe it or not, is something I think plenty of people can agree with to some extent; whether you're an anime fan or not.

I do think it's possible that we as people have the capability to understand or learn to understand things that aren't necessarily from our culture. After all the world is so vast and there is beauty in our differences, and we our often encouraged to embrace what sets us apart. Of course we, at our core, are made of the same stuff, so certain ideals, values and messages might shine through no matter where they come from. I think anime can address grander themes like love, death, faith, ect. and even point to truth, but it might either be one facet of the story or you have to dig a little deeper to find it. I've seen people attempt this, so i think it's possible. It just requires some work. At least that's how I see it.

Anime is a unique medium to navigate because it 100% is coming from a country that is different from my own in many ways, but I mean this more so in the small intricacies. Again, I am no expert, so what I say might be a bit inaccurate or plain wrong, but from what I've come know, anime is used as a means to counter things in Japanese society. An example of what I mean would be how many of the characters in anime, especially school students, have hair and eye colors that aren't natural. The designs in general can be pretty out there, sometimes looking wacky or just over the top, it could never be replicated in real life unless it's cosplay (probably). You're might be wondering why I mentioned that, since anything animated could do this as well, and you are right. It's not inherently special.

With anime though, I think it has more to do with the fact that in Japan, there is a tendency to keep things uniform. To keep things orderly, rather than drawing attention to yourself, dressing or acting in ways that are deemed inappropriate or out of the norm. Anime is not a replica of the day to day Japanese society, unless a particular show is crafted that way, so even some of the things going on in a story could even be seen as odd or uncommon or dare I assume, scandalous. Anime can be criticized by the very people responsible for it, so even when they KNOW the culture, they as the audience can react to it in many ways. I am sure someone else could explain this much better, perhaps understand it much better, because I typed all this and I am beginning to wonder if I lost you and I haven't even addressed some of your comments directly. I apologize.

All of that above is basically to say, YES, the culture is tricky and unless you're willing to try and see why things are the way they are when consuming something as popular as anime, I don't think you'll have the best experience. In my case, I will admit, I had a somewhat complicated relationship with anime. I still do but not for the same reasons as back then, when I was still a child and witnessing all this for the first time. I was familiar with shows such as Pokémon and (English) Yu-gi-oh! which are rather tame in comparison to...so many other anime out there. But I wasn't a fan, yet. I hadn't really dove into the anime pool, much less felt like exploring it, due to my upbringing and general reluctance to watch anything because the way anime looked was so different than what I was used to.

Until one day, finally, an uncle got me to watch a show that is generally geared towards children. I liked it, I liked the story and while the art wasn't as weird as it could have been, it took some getting used to Then he thought I could handle one that was for an older audience but not terribly grotesque or sexual or dark. It did have violence, although I think it was mostly justified given the subject matter. Shameless advertising, I think you might want to give this one a try, it's called Fullmetal Alchemist Brotherhood. I think there's plenty of lessons to pull from it, it isn't purely made to entertain just because.

I'm getting off track, so let's try to get back to your grievances.

So, I don't understand it very well. I don't understand why everyone's screaming. I absolutely don't understand the character designs. I don't understand the use of blushing. I don't understand the humor or the drama. I don't understand why one interaction can take several "episodes," and the dialogue is unrealistic the entire time. People don't talk like that. And it would be one thing if people talked in an unrelatable cadence once, as part of the "style" of a film or show, but it's across the board for every anime I've seen.

I think I and many other self proclaimed anime fans, got into it on the basis of the art style drawing us in. Yeah it was weird and new but it could also be fun and incredibly pretty. Also, there's real dedication and skill put into many anime I've seen, at least when you're looking at the scenery, food, and non-human related imagery. So if you're an art person or just like looking at things that are well made, that could certainly explain part of the reason why people watch anime, whether or not the designs make sense. I suppose that is also aesthetic choice as well.

So you could say, before we (The fans) understood anything about the culture, or why things were being done in the story, we just accepted it as different and went along with whatever was going on, for, entertainment and fascination. That includes things like the screaming, the humor, and even those strange speech patterns.

It definitely catches people by surprise. Even to this very day, while I am aware of these different things, I can still get annoyed or stunned by some of the anime antics. I think all the screaming has to do in part with anime being understood as a medium where you are expected to exaggerate and use excessive emotion to sell whatever you're going for. It doesn't have to be anything related to love, a battle or something super sad—That's just the acting. In comedies they can really go over the top, and that can be done as a way to sort of poke fun at anime as a whole. Then of course, if I went deeper, I might find that this ties back to ancient forms of storyteling and playacting. I can't say for certain if screaming was ALWAYS apart of how Japanese performed, however, I wouldn't be shocked by it. Same can be said about drama. Every culture has their own form of drama, each distinct in how they demonstrate it, and Japan is the same way. Their show of humor is probably a mix of doing things because its fiction , "anything goes in fiction" + certain tropes being tied once more to what they've gotten from their storytelling tradtions. Or maybe the tropes aren't even that old, they were just created first in japan and have been utilized since. Like when characters fall on their face and their legs stick up when somebody says something stupid.

As for dialogue, I can't quite figure it out myself. I assume the japanese speak more formally than your average person ? Although there is no way of actually knowing that. In anime especially, I notice they can speak in a way that just feels...weirdly poetic. Then you also have those weird breaks or pauses in sentences. Which does work if the situation calls for it, I think, but even I find myself saying something like "please just talk normal, you're doing too much 😭," every now and then. Also let me tell you, I think everyone at some point has COMPLAINED about anime taking multiple episodes to resolve an issue or reach a much needed discussion, especially when discussing romance anime. I've chopped it up to being for these reasons:

It heightens the drama and makes the audience anxious to see what happens. It's trapping you to stay for the rest of the show.

It's part of the plot, somehow. This scene can't happen until something else happens and that can drag, whether intentional or not.

I suppose you could say that there are situations in real life that would play out like this. A person who is shy or hates confrontation just keeps things to themselves, just doesn't bother to address the issue at hand and the more they leave it alone, the worse it becomes. Anime just makes a bigger hassel.

Are these all possible reasons? I doubt it. Still, I think they apply the most.

Now I'm going to merge what you said at the beginning and what you said near the middle.

Otherwise, why is there so much gratuitous cleavage? Whats with the emphasis on violence violence violence? Plus cursing? Why are all of the "attractive" characters a little-girl stereotype or a sexy femme fatale stereotype? And what's with the feminine looking dude characters? Why does one fight take six episodes? Why does one "romance" last an entire show but consist of nothing except gasps and blushes?

You sure picked some hot button topics to ask about if I can dare say so. I call them hot button topics because whether you're a long time anime fan or short time fan or just not a fan at all, many of these things have been discussed before...usually in great detail lol. Especially the part about women, there's quite a few video essays and conversations surrounding these seemingly common yet unnecessary things. There's all the feminism and patriachy stuff and I am not dismissing it or saying it isn't important to consider, but some of that I just...don't think matters to some degree. If I were honest, a lof of those big cleavages and sexy stereotypes exist because the audience (mainly men) want it and like it, and it pertains to a fantasy. Same with the little girl looking characters that can be super old. I AM NOT SAYING IT'S A GOOD FANTASY. But it exists. Additonally, however, it comes down to art style and aesthetic. Anime can do whatever it wants, thus you can design the characters however, based on what's popular, based on what you (the creator) wants and likes. Or they are filling some sort of quota, you gotta have the comedic relief character, the moody character, the pretty girl, whatever. The feminine looking dude thing is its own archetype and has its own history, one I couldn't really explain because I am not well versed. But that too, is catering to someone out there.

In regards to how blushing is used...my dear, I think that is, once more, an art choice. Many people know anime by its cutesy big eyed designs. Usually, you'll find a character blushing too. Typically it is used to show embarassment, shame or excitment. It probably adds to that cutesy factor, as well as exaggerating that emotion being expressed. Then there are moments of crying, or just other occasions when blushes are used, and I gather that is done because in real life, people can get super worked up. They can get all hot and red in the face or they get so flustered their cheeks show it. Still, this is not wholly accurate and thus, it's just artistic choice to add blush for a specfic moment or just cause. The gasping...yeah I don't quite like that either. Or excessive violence or cursing.

Depending on WHAT the story is, I'd argue you might need that violence. Could be about war, could be about surviving from a great evil, essentially anything that involves fighting. But even I have to admit, it can go...overboard. Or feel like whoever was making that fight scene was having a little too much fun yk? If you have certain kinds of characters who are just rough and angry or have gone through something traumatic, this may result in a potty mouth. On average I am surrounded by adults and teens who just make a habit of swearing, or its just part of the vocabulary. Anime is no different it seems.

Just cutting in to say that, whoever recommended you watch Demon Slayer and Naruto or whatever else- they showed you the "mainstream" shows. Nothing inherently wrong with that but anime is filled with all sorts of shows and some can go outside the norm of what is popular. Maybe you were shown the wrong stuff or it wouldn't have mattered either way because it wouldn't have what you're seeking. Unfortunately.

You aren't wrong in saying some values that are perceivable in the animes you've seen might be ones that the West is adopting and trying to instill in us. I wish you had been a little more specific in what values you mean so I could have a better handling on whether I agree with you fully or not. Even so, I think I have an idea of what you're saying. Not everything I see in anime I agree with or think matters or should be something to encourage, and that isn't me trying to be disrespectful to the culture but it's true.

I also find it odd that so many young Western men are drawn to anime. I don't think it's an awesome thing. All the anime I've ever seen: Demonslayer, Naruto, etc. doesn't have anything particularly good for them in it. There's a ton of violence, of egos getting slung around, yelling, and terribly long gratuitous brain-numbing pacing, along with sensual gasping and drama-for-drama's sake. And I know my young male friends are no more Japanese or understanding of Japanese culture than I am. So what are they getting out of it? They can't ever tell me.

This is perhaps the hardest part of the replies because I know what I think and have come to know about this appeal young men have for anime and it isn't all...good. Neverthless I will try to be fair to them. In the first place, I think men have a tendancy to like most things with battles and cool powers and just general rough housing. So if anime has that, plus a story compelling enough to draw them in, understanding the culture doesn't matter so much as does watching the characters kick some butt on screen. That just sounds like watching something for entertainment, it just gets a rise out of you and I think that's what it usually is. I think the closet equavilant that comes to mind is superhero and action films. Is the average guy watching for a message or because it's exciting and bloody and there's a ton of bodies running around?

another thing...people like to see themselves in the characters. This happens me sometimes as well. Maybe whoever is on screen right then and there, is seen as relatable to the young man watching and he starts to imagine himself like the character or indentify with certain traits, certain situations. I am not saying that this is always good or even healthy, mind you, but it happens. And I think whoever is making the anime(s) is aware of that. This can be said for girls too but that is a different discussion.

Many men are watching anime for the eye candy too, that being, the female characters. I don't think I need to explain to you what can be done and thought about when characters are made to invoke sexual desires. It can be explicit or implicit but it's still there and that comes with its own issues. I'm not trying to sound like some kind of prude or judge, I've dealt with my fair share of strong feelings with characters, but I wouldn't call it a good thing. Much of what was said in this response to my ask, I've been convicted about because I know that deep down, not all of it is really doing anything for the audience, we're just here to have a good time with whatever is on screen. It can feel very shallow.

I could probably say more but i think this is enough. I hope this makes sense, I jumped around a lot, not sure if I answered every question the best I could. I wanted to try and provide context. This conversation hits home in some ways so that is also why this reply is long. My brain is fried though and this took forever to type, but just know, if you don't think you could ever like anime, that's fine. It an acquired taste. You might be better off away from it.

Hi, not to sound like a creep but I was trying to find this one reply to ask about the Chosen series because I remembered something and I wanted to see if you're the one who said it. But then I couldn't find it. Stumbled into this one post where you said your least favorite medium is anime and I'm quite curious about that now. I don't generally have an issue when people say they don't like anime, as a whole, but I try to understand why. Of course even if you just said "I just don't like it" then I could respect that too, since I can not push it.

I think it's like a language I don't speak. Even the English-dubbed versions. In anime, it's not made by people in my culture, for my culture. So, I don't understand it very well. I don't understand why everyone's screaming. I absolutely don't understand the character designs. I don't understand the use of blushing. I don't understand the humor or the drama. I don't understand why one interaction can take several "episodes," and the dialogue is unrealistic the entire time. People don't talk like that. And it would be one thing if people talked in an unrelatable cadence once, as part of the "style" of a film or show, but it's across the board for every anime I've seen.

There's nothing wrong with that, per se. Like I said, it's just made for a different culture, one I'm not in. And that's fine. Could I learn it? Could I engross myself in it until I feel what the media is trying to make me feel and get what they're trying to say?

Yeah. I could.

But most often, it doesn't feel worth it. It doesn't feel like the anime I've seen is really trying to point to a significant truth or remind people of goodness and beauty, so much as it is pointless entertainment.

Otherwise, why is there so much gratuitous cleavage? Whats with the emphasis on violence violence violence? Plus cursing? Why are all of the "attractive" characters a little-girl stereotype or a sexy femme fatale stereotype? And what's with the feminine looking dude characters? Why does one fight take six episodes? Why does one "romance" last an entire show but consist of nothing except gasps and blushes?

Not a fan.

I have seen one or two anime that clearly have a point. They're Studio Ghibli, though.

And again, I'm not saying anime's have no point in general. I'm saying I'd have to understand the culture to get the point, but the culture itself seems to be based around values that I don't find valuable. And a lot of those "values" if I'm reading them right are the ones our Western culture is starting to push down throats more and more, and I don't like those, either, so there you go.

I also find it odd that so many young Western men are drawn to anime. I don't think it's an awesome thing. All the anime I've ever seen: Demonslayer, Naruto, etc. doesn't have anything particularly good for them in it. There's a ton of violence, of egos getting slung around, yelling, and terribly long gratuitous brain-numbing pacing, along with sensual gasping and drama-for-drama's sake. And I know my young male friends are no more Japanese or understanding of Japanese culture than I am. So what are they getting out of it? They can't ever tell me.

Maybe you can?

[thembys]

"What was it like?" "Like a dream, sir."

A painting for @terrorscififest, shown two different ways up as I couldn't decide which looked better. Medium: oil on canvas.

[magentagalaxies]

vent incoming:

got my grades back for my courses last semester and most of it was to be expected, mostly A's, maybe an A-, etc. but i honestly can't get over the fact that my independent study (the buddy cole documentary) was for some reason given a B. like sure getting a B isn't bad per se, I usually get at least one B every semester and i honestly don't really care about what my exact gpa is as long as i can graduate, but come on. this school put me through months of psychological torment over this project and didn't even have the nerve to give me a B+??? i'm still coping with the self-doubt they forced on me and this bullshit is not helping!!

[the-physicality]

i do think, aside from mercury bias, if bg had been in all season she would have been all wnba, first or at least second. i think people undervalue her because of the rebounding but she is 1000% the worst officiated player in the league, on both sides of the court. so the fact that she's been able to have the performance that she had is incredible, and that she didn't get the acknowledgment really just underscores how much people take what she does for granted.

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[primofate]

"Where'd you get that bruise--Oh," in which your Genshin lover gets a good look at the first hickey he left

Warnings: please excuse mistakes as I'm on a time crunch and also sleep deprived, suggestive but still safe for work, humorous in some parts

Other works in this series: (You say I love you for the first time)

Characters: Aether, Albedo, Alhaitham, Ayato, Cyno, Dainsleif, Diluc, Itto, Kaeya, Lyney, Neuvillette, Scaramouche, Tartaglia, Tighnari, Wriothesley, Xiao, Zhongli, gn!reader  

Aether

gets flustered

"Uh-Umm... Maybe, you should..."

he wants to say cover it up but who is he to tell you what to do?

Starts to second guess if he really gave you that

Will start to think about the events of last night and deflates with embarrassment

Finally points it out, feels kind of bad that he left a mark

"It's just...distracting...I'm sorry if it hurt,"

Albedo

stares at it for the longest time.

There's a half smile, half amused look on his face, like he wants to be happy about it but doesn't want to be too obvious.

Just chuckles and points it out without any shyness whatsoever

"It's rather obvious, but do with it what you will,"

Comes up with some sort of concealing potion to help you hide it

Brews about a 100 of 'em

Alhaitham

Sort of does a double take, looks at it for a few seconds then looks you in the eye

"I'd advise you to hide it,"

he really only says that to keep things professional when the two of you go out

but in the next second he snakes a hand up your arm with a small secret smirk between the two of you

"However, I can't say that it won't happen again...Specially when..."

He recalls the events of last night at this moment, and it seems as if he's staring into your soul. He breaks away from you with a slight hum.

"...I best be going now."

He leaves you confused, but he only hurried off because he felt an urge to give you another one then and there.

Ayato

chuckles to himself

"Well, there's no hiding that I enjoyed myself,"

but gives you helpful suggestions on how to conceal it or at least make the colour less obvious, like putting ice against it, or something.

Speaking of ice, you can simply get it from the kitchen but Ayato is a tease... "I suppose my dear sister can adequately help you with that...Though what, pray tell, would you tell her?"

You kind of shrug and say that you'll tell her an animal bit you.

Ayato is amused "An animal," but there's a twinkle and hint of lust in his eyes. "Yes, perhaps that's what I become when it involves you. The statement isn't exactly a lie,"

Cyno

is silent. Not sure if he's happy about it or horrified.

Feels like a crime cause it looks like a bruise.

Does not say anything for a good minute because he simply doesn't know what to say and is talking to himself in his mind

Like Was I really the one who did that? Last night must've been...

Snaps out of his stupor when he's reminded of the events and clears his throat to catch your attention.

"Y/N...You...I...I've managed to leave a mark...on your neck..."

You absentmindedly touch it and let out a small ohhhhhhh in understanding

Clears his throat again and looks away, pretending to be busy with something. Flustered and doesn't know what else to say.

Dainsleif

Eyebrows involuntarily raise up at the marks.

Points it out immediately

"My dear, it seems that I had a favourite spot last night," and taps on your neck to let you know what exactly he means.

"I can conceal it with a little trick of mine, if you don't mind," he says he can make it invisible to the ordinary eye but some "special" people can see it, so...

"I suppose if you run into the traveller that you'd have to be honest about it. Hm? No, I don't quite mind if they know of our relationship,"

Diluc

is surprised, then apologetic

He didn't know is fully aware how rough he had been last night

Apologizes with a slight tint of red on his cheeks and can't seem to pry his eyes away from it.

"My apologies, Y/N. It looks like I was rather...careless...last night. You should wear something with a collar today...or perhaps, my coat?"

Is seriously considering repenting about it

Itto

"Whoa--"

Is legit about to throw hands but then remembers

"Oh yeah. I did that." while scratching his head bashfully

No shame about it afterwards, even has the gall to say

"I'm surprised it doesn't look worse! It was pretty wild last nig--"

You have to cover his mouth to save yourself from embarrassment

Kaeya

smirks and leans in close to brush his fingers against the hickey.

"It isn't the most flattering of marks but... it gives me quite the sense of accomplishment,"

winks, deadass tries to give you another one right away.

"How about we try that again? Just to even it out on both sides of your neck,"

is only half joking

Lyney

mischievous laugh

is more happy about it than shy, embarrassed or apologetic

"That wasn't very nice of me wasn't it?" but is still smiling

"Unfortunately I don't think I have any magic tricks up my sleeve to fix this one,"

Grabs and hugs you by the waist "I guess we'll just have to stay in, the two of us, until it's unnoticeable"

always looking for an excuse to spend alone time with you.

Neuvillette

clears his throat almost immediately when he sees it, like he choked on water

"Y/N," he starts rather sternly but falters and takes a few seconds to think.

"May I suggest wearing a scarf today?" is awkward about pointing it out so goes the roundabout way. You're so confused because it's the middle of summer.

"Well," he coughs once to try an explain to you. "I didn't have all manners of restraint last night...You were simply...irresistible,"

points it out by gently thumbing at it

Scaramouche

shit-eating grin at the sight of it

Doesn't tell you to cover it up, most likely wants you to go parading around with it.

"Tsk. What's the harm if people ask? Just be honest and tell them," he's just fucking around with your head now

but snatches your wrist and looks you straight in the eye with a confident smirk "And be sure to tell them who gave it to you. That'll teach them to back off,"

Tartaglia

laughs but is slightly apologetic

"Couldn't hold myself back, I'm sorry. How can I make it up to you?"

You tell him that the next time he leaves a hickey, he should leave it somewhere where it's more concealed.

"Oh?" sudden glint in his eyes. You might have said the wrong thing. "No take backs, Y/N,"

I think you know what or where he's thinking about

Tighnari

Doesn't say anything at first but immediately whips up a remedy for it. Some sort of green paste that helps with inflammation.

"Here," and hands you the bowl of herbs. "For that,"

He doesn't point at it but instead eyes it rather obviously

He also watches you put the paste on "Alright, just leave it for a few minutes and it should heal wonderfully,"

He doesn't exactly feel guilty but he's more worried that people will look at you weirdly.

"I suppose I'll have to be careful next time," with a sigh.

Wriothesley

laughs but bashfully face palms and tilts his head backwards

Recovers quickly and smiles apologetically

"Sorry love, couldn't hold myself back it looks like," lovingly takes your face in his palms

Can't hold his smile back "But can you blame me? I'm not gunna hide that I was way too excited,"

Suggests you to put a bandage of some sort over it.

"I'll try to be careful next time, but no promises,"

Xiao

Freezes while looking at it

For a split second is confused where you got such a mark but then flusters himself when he remembers it was from him.

"...Y/N..."

seriously does not know what to say

stands there staring at it that you finally just check in the mirror yourself. He hears you gasp and he kind of winces to himself and now feels a little guilty.

"I...didn't mean to hurt you,"

You quickly tell him it doesn't hurt, but you were just surprised.

Thinks for a moment, then mumbles, you can barely hear him "...So it's alright to do it again?"

Zhongli

chuckles, not shy about it. just amused.

"It's no one's fault except my own. I merely wasn't paying heed to how...carnal...my desires were,"

he again chuckles as he explains.

"Not to worry darling, I'm sure Bubu Pharmacy has something to remedy it. I'll be back with it in tow,"

brushes his fingers against the hickey as some sort of apology and promise that he'll fix it

End

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[fungateshortcakes]

Pornstar!Logan NSFW

This work is inspired by @bpmiranda and their own pornstar!Logan smut, which you can find here. Please go and check it out, it's so yummy and i hope I am doing this idea justice.

Pairing: Logan Howlett x reader

Summary: Up until now, filming a porn video was only something you joked about. But after your job failed you, this simple 'joke' brought you to a whole new carreer path that you would love to explore further, especially if your co-worker was this handsome man that ruined your pussy for everyone else.

Wordcount: 2.3k -ish

Warnings/tags: pornstar!Logan, pornstar!reader, porn with plot, first porn recording, filmed sex, best friends dad porn, squirting, unprotected penis in vagina sex, pussy pronouns, implied blowjob, basically sex with a stranger, dirty talk, doggy style, Logan is older than reader, cumming on pussy, perverted director, mention of threesome (F/F/M), english isn't my first languange (lmk if i missed something!)

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It had always been a joke. All of this - you just joked about it. But now as you stood in front of this building, the filming location, that's when you truly knew that it was in fact not a joke anymore.

You were about to cast in your first professional porn video.

For years you had been telling your friends, if your degree didn't work out, you'd start selling nsfw art. If your job applications would keep getting rejected, you would become a stripper. It was always something you and your friends could laugh about greatly, but it was never really taken serious in the end. That was about to change.

Throughout the last months, you had taken this career path more and more into your field of interest. Your hated your job, the salary, the people there and your boss. You needed a quick change. So you read about becoming a porn actress, watched interviews with stars of this industry, stating how they got into it, what they had to do, how they coped with everything at the start and much more. You felt ready, but you also didn't really, not when you stood in front of this building and knew that in just an hour, you would be having a stranger pounding his cock into your pussy while everyone around watched.

You took a deep breath as you entered and upon stating your name at the reception desk, you were brought to the second floor where you were greeted by the director.

"Ah, there you are! You're (Y/N), right?" he said and shook your hand with a firm grip. He was the manager of all of this. He had been in this industry for years and sounded very nice from the very start. You felt comfortable as you stood in front of him. You nodded your head. "Yeah, that's me. I hope I am not too late?" you asked nervously, biting your lip. You really didn't need to leave a bad expression right on the first day.

He laughed and shook his head "No, don't worry. You're just in time to meet the guy you're gonna work with today. You're gonna like him." he said and winked at you. You had already heard a bit about the man that would, to put it as is, fuck you today. They praised him highly, told you that you should be happy to have the opportunity with him because he gets so many requests from porn actresses every day.

Richie shoved you through a crowd of working people to a cozy break corner for the actors. There he stood. And wow. He already wore his outfit for the upcoming video. It was a plain black shirt, a thick belt and rugged jeans, but damn. He looked good.

Upon seeing you, a smirk spread across his lips and he stood up, hands in his pockets. "That's Mr. Howlett. Your lover for today" Richie chuckled as he introduced you to him.

"Call me Logan, sweets. Nice to meet you, heard a lot about ya" Logan said and his voice alone made your pussy throb. You both shook hands and you told him your name as well. It would be a lie if you said you weren't anxious. Your heart was beating out of your throat. You were intimidated by your work partners looks and the fact that he was a lot more experienced in this field than you. He looked very charming and handsome, picture perfect like some famous hollywood actor. And you were just, well, you. You felt like you couldn't compete with that in the slightest.

The time you had to speak to him, get to know him at least a little bit before his cock was in your mouth, was limited, because you were pulled to different stations by different people left and right, getting you into costume, fixing your make-up and hair, even checking if you had shaved down there properly. It was all so much at once, but Logan was always watching over you, weirdly enough, reassuring you. Truth be told, he saw himself when he looked at you. He was pretty confident by nature, but when he first started out in this business, he was overwhelmed and unsure at first as well. So he felt deep sympathy with you, even if you didn't know that.

Now you stood at the set with your two co-stars, Logan and some other woman who you didn't know the name of because she was so minor to the scene. She was only there to play your best friend from college. Your best friend with a smoking hot single father.

Your nerves were killing you as you stood in the pre-build bedroom with your co-star. You took a deep breath and decided to go with the flow. You knew the script, you knew the movements and looks, so there wasn't really anything that could go wrong. Right? "Okay, cameras, lights, action!" Richie yelled over the set. Now there was no going back.

You flopped down on your friends bed with a sigh. "This assigment is killing me. We've been working on it for days now and we aren't getting anywhere" you scoffed. Your on screen friend agreed with you, voicing her anger towards the professor as well.

You started acting like you were starting to unpack your bag when you heard a car engine. Your co-star groaned. "Perfect, now my dad's here. He normally works longer than that" she said. You had never met her dad, he was always at work when you were over. "Lindsay, I'm home!" Logan called before he stepped into the room, stopping in his tracks as he saw you. The camera zoomed in on your slightly shocked face, taking in your agape mouth and how your eyes clouded over. You crossed your leg over the other as warmth spread through your core.

Logan smirked at you, leaning against the doorframe. "So, you are the girl my daughter has been doing that assigment with, I assume? Nice to meet you, I'm her old man." he spoke in his deep voice, extending a warm, strong hand out for you to shake, a knowing look being shared between you as he eyed you up and down, pratically undressing you with his gaze only.

The director yelled cut. You let out a nervous sigh. This worked out way better than you had imagined, but that was just the easy part of this whole thing.

Though, the second Logan pushed the tip of his cock into your sopping pussy with a relieved smile on his lips that wasn't part of the script, you couldn't care less about your insecurities or worries. The words you were supposed to say just came naturally with the way he fucked you open. "Such a greedy little cunt, she is practically sucking me in" he groaned, one hand pushing your head into the pillows of his daughters bed.

"You really needed this, huh? Needed a big fucking cock to pound your pussy. The boys in college just don't cut it, am I right?" He groaned, enjoying the way your pussy tightened around his throbbing shaft. How could a cock feel this good? Logan could ask you the same thing - how could a fucking pussy be this tight and warm and just sopping wet?

Logan watched your face being squished against the pillows, slurring your words while you drooled. He smirked. You were made for this, the camera was eating you up like this. A shiver ran down his spine as he thought about using this video when he was at home to get off. He leaned down to your ear, his plush lips kissing and biting at the shell before he whispered something only for you to hear "What a natural you are. Gotta have to request you as my partner more often from now on, don't I?" he was whispering in such a hot, breathless voice, it almost made you cum before you even should. He could feel that. And oh boy did it feed his ego.

"Does it turn you on? Being fucked on your best friends bed? By her dad?" Logan rumbled in character, kneading your tits. It took you a while to get a hold of your thoughts and the script, so Logan used that silence to keep whispering in your ear how fucking pretty your tits were. "Y-yes! I...I love it" you slurred, your voice raw from the moans you couldn't hold back for the life of you.

Logan hummed pleased. "Oh I bet you do, baby. Already so cockdrunk for me"

Your pussy felt so good with the way he was dragging his cock in and out, reaching places inside you you didn't knew existed. It was funny to you - you were supposed to fake moan and falsely contort your face in pleasure - but you didn't have to do any of that. If anything, you needed to shut up. You were moaning so loud and so prettily for Logan, it was almost excessive. You just couldn't help yourself. Every time you tried to shut your mouth, Logan would notice and pound into your sweet spot. He couldn't have you denying him of your cute sounds.

Not long and the scene ended with you squirting all over his cock and the sheets. That wasn't initially meant to happen, but with the way Logan was fucking you, you lost control as your orgasm hit. Logan tried to mask his surprise by going off script, continuing to circle your clit "Yes, such a good girl. Keep making a mess for me, baby" he groaned into your neck. You squirmed in his grasp, the overstimulation too much as you felt him cumming over your pussy. He hadn't expected you squirting, but it served perfectly to make him cum like he hadn't in a while.

Richie yelled cut again and Logan let go of your hips, making you fall flat onto the drenched sheets, completely boneless. You could hear faint applause and a warm hand on your back. As Richie approached the bed, Logan was quick to bring you his fluffy robe and wrapped it around you aftwr helping your shaken form to sit up, shielding you from prying eyes. The crew was highly professional for the most part, but there were some creeps shamelessly goggling at the actresses, especially newcomers. Sometimes Richie was one of them...

So Logan had a protective hand around your back, sprawled over your waist to keep you pressed into his side while you regained your composure. You were tired and worn out, but in a very very good way. Your core buzzed with warmth and so did the rest of your body. Without realising, you leaned your head onto Logans shoulders, softly closing your eyes for a moment. It made his heart skip a beat.

"Jesus Christ, you two were really going at it, huh?" Richie grinned and clapped his hands together. "I am deeply impressed with you, rookie. The camera loved you. Didn't even have to correct you at all. Can't believe you haven't done this before" the middle aged man chuckled and tried to discreetly pear down your cleavage to which Logan covered your upper body a bit more, staring Richie down. You didn't feel all too safe now, especially in your slight dazed state. But Logan was there and somehow being able to nuzzle into him for protection eased your mind greatly. "You two can go and take a break. I have Mirinda, Mandy and Josh for the next sesh. But after that, I'd like to see you both in action again. Maybe with another woman as well, how would you like that?"

Logan declined for you with a slight bite to his voice, excusing you and himself after he had wrapped a towel around his hips and brought you to his dressing room. Richie wasn't a bad man. But he was far from being appropriate at times. It happened rarely and mostly only to actresses who had been in this industry for years, but they knew how to treat directors like him for rude staring not to happen. But you were still so young and inexperienced with everything, so anxious and nervous. Logan wanted to protect that. Protect you. The industry was tough and he didn't want you to break under all of this like he did in the beginning himself.

"Thank you for uhm...getting me out of there" you mumbled as you began to dress yourself again with the clothes you had arrived in. You chuckled to yourself as Logan turned around when you put on your bra and underwear as if he hadn't just conpletely seen you bare and ruined you for every other man.

He scoffed. "Not for that. It was the least I could do. Sometimes he gets a bit creepy, but he his decent. He doesn't do more than stare, fortunately. Still, I'm sorry you had to endure that on your first day. But that's, sadly, how it is" he answered, pulling his shirt over his head and you shamelessly watched his muscles dip and contract from his movements.

You buttoned up your blouse and shrugged. "I expected it, honestly. But you were my knight in shining armor, or lack there of-" you laughed and Logan couldn't help but chuckle alongside you. "- so it wasn’t that bad. At least the sex was good"

Logan smirked. "It was?" he asked with a cocky undertone. He knew that it was, but hearing it from you directly made his chest flutter. Not that he would ever admit that. You nodded with a hum, slightly chewing on your bottom lip.

"I have to say the same. You have a great pussy" he blurts out, making both of you laugh. "There is more where that came from, lover boy" it was very easy to be comfortable around Logan and it made you feel a little less lost. It made you feel like you had a guiding hand and you were so grateful that he was there. It wasn’t his job to be your caretaker, he wasn't getting paid to tell you how to do things or protect you from backhanded nasty comments from filming crew members. But you were glad he instantly took you under his wing like this.

You couldn't wait to shoot with him again

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I had so much fun writing this! Let me hear your thoughts, do you want a part two?

And don't be scared, there is also going to be more sub!Logan soon and a few fluff drabbles as well. Stay tuned!

[hailsatanacab]

Family Dinners - dpxdc

"Holy shit, you're Bruce Wayne!" Danny gaped, jabbing a finger at the man sitting at the head of the table.

The bustling dining room goes silent as everyone turns to look at him.

"Danny, who did you think was going to be here?" Tim asks, disbelief plain in his voice and Danny feels his face flush red.

"Sorry, I, uh, I guess I just never put it together. Tim Drake-Wayne. Wayne Manor. It, uh, makes sense now." He laughs sheepishly and scrubs at his neck before slumping back down into his chair.

"Well," Tim says with an indulgent sigh, "at least I know you're not just friends with me for my connections."

"Yeah, I'm really sorry, I just never thought about it, I guess."

Danny sinks lower as everyone around him laughs. Come to dinner, he said, the food is the best, he said, ignore the family, he said. Danny really wishes he'd listened to Tim and just ignored them—almost as much as he's regretting accepting the offer in the first place—but... he's having dinner with Batman.

Ancients, that's so weird!

The last time he saw Batman was in the future and, suffice it to say, it was not going well. There hadn't really been time for family dinners there.

Wait. Family dinners?

He peers around the table, openly gawking at everyone as it all clicks into place.

"Everything alright, Danny? Now realising who everyone else is?" Tim asks with a roll of his eyes.

"Uh... something like that..." Danny mumbles as everyone laughs again.

From further down the table, the smallest Wayne scoffs and clicks his tongue.

"I thought you said he was smart, Drake?"

"So, you all do it, too, then?" he asks, ignoring the jibe. Danny's only a little bit jealous as he thinks of how much easier they must have it, how much easier it'd be if his family had been on his side, too. "You all work together?"

"Nah," Dick says from across the table with a brilliant grin. "Tim's the only one that works with Bruce, we all have different jobs. I'm a police officer in Bludhaven."

"Disgusting." Danny blurts out without thinking—because seriously, what kind of self-respecting vigilante would also be a police officer?—before clapping a hand over his mouth. "Sorry."

The whole table laughs again, the loudest being the blonde girl a few spaces down from Dick. Look, Danny wasn't really paying attention to names when they were all paraded in front of him. Dick only gets remembered because his name is a joke.

Come on, Danny, recover!

"That's, uh, not what I meant, though."

"Oh?" Dick asks, cocking his head slightly to the side. Is it Danny's imagination or does his smile tense slightly?

"Yeah, I mean like, you know, in costume. It must make it so much easier to have everyone together like this."

"Costume? What do you mean?"

Yeah, Danny's not imagining it, everyone tenses up at that. It's really only now that he's realising that this probably isn't how he should bring up that he knows about their... night time activities. In fact, he probably shouldn't be bringing it up at all.

"Uuhhh..." Danny looks wildly around the table as he continues making his stupid noise. Think, think, think! There must be a way out of this!

"Danny?" Tim asks, looking concerned.

"Oh, Ancients, this isn't how I wanted it to go at all," he mutters, slipping even further into his chair. He's almost on the floor now and he so, so wishes it could just swallow him up.

His real first meeting with Batman was meant to be cool! He had planned to be Phantom, maybe save them from a tight spot, prove his worth as a mysterious and powerful ally as thanks for the help Batman gave him in the future.

"Danny, what are you talking about?" Tim starts tugging on his sleeve in an attempt to pull him back up from his pit of despair.

Eventually, Danny relents and sits up straighter, hiding his face in his hands and whining all the while.

"I'm sorry, I just didn't expect him to be here and it threw me off so now I look stupid and it's so embarrassing!" he wails, flailing his arms wide. "Why wouldn't you warn me that Batman was your adopted dad, Tim? Couldn't you have let me know?"

"I'm sorry, what? Danny are you alright? There's no way Bruce can be Batman, look at him!"

"Yeah," the blonde girl laughs from the bottom of the table, "look at him! That's a wet noodle of a man! Batman can actually do things, B is incapable of pretty much everything."

"Thank you, Stephanie," Bruce sighs, massaging his forehead.

It's... Those are the first words Danny's heard Batman say since everything went down and it's enough to knock him out of his embarrassment.

It's really good to hear his voice again. Especially now, when it's strong and healthy and full of personality—even if that personality is little more than a tired father right now—far better than how it had been, at the end.

Danny sits up, back straight, and grins. He's got this. He remembers it perfectly. Some people count sheep to fall asleep, Danny repeats his mantra to be certain that he'll never forget it.

"Gamma alpha upsilon tau iota mu epsilon, 42, 63, 28, 1 colon 65 dash 9."

Once again, the whole table falls into silence.

"Holy shit..." breathes the other D name (Duke? Danny's pretty sure he's Signal) from opposite Stephanie. "Isn't that...?"

"The time travelling code." The littlest Wayne says stiffly. "We have met in the future?"

"That's not just the time travelling code, Dami." Dick says, looking between Danny and Bruce. "That's the family time travelling code."

Danny's grin freezes in place.

"I'm sorry, what?"

"1 colon 65 dash 9." Dick explains, still flicking between him and Bruce. "It means you've been adopted into the family and we should all treat you as such, no questions asked."

"Tell you what, I'm about to ask a question." Danny says, dumbstruck. "You just told me it was a code to identify time travellers, not anything about being adopted! What the hell, B?"

Bruce looks about as shellshocked as Danny feels.

"We must have been close," he says finally, after opening and closing his mouth like a fish out of water a few times.

"No! Not that close!" Danny reels back, taking a deep breath ready to refute it all, but... "Well, I mean, you found me when I first got stuck, and you helped me get better despite being... And then we fought together against the, uh, bad guy, before he, um, he... before you couldn't."

An uncomfortable beat passes while they all pick up on what Danny tried so hard not to say.

"So, you're not from the future, then, you travelled there and came back?" Tim asks, breaking the tension and leaning forward with a glint in his eye.

"Yeah, it was a whole end of the world thing, but don't worry about it," Danny says with a hand wave, "It's all kosher now, won't ever happen."

"What did happen?"

"Seriously, don't worry about it, we cool."

"How long in the future was it?"

"About ten years? You were pretty spry for an old man, B," Danny laughs, wishing they'd get off the topic of what happened and get back to the adoption bit.

Everyone shares degrees of a cautious smile as they relax out of the shock, and Dick—whose grin is the biggest—says, "No wonder you got the family code, you're already riffing on him like one of us. How long were you there for?"

"A week, before I managed to get back to my present and stop him then."

"A week? Jeez, B, that has to set some kind of record, seriously."

"Oh!" Danny says, sitting bolt upright and blinking in surprise before pointing at Dick and bouncing in his seat. "You're Nightwing!"

"What?"

"That's exactly what Nightwing said when Batman told me the code! Makes so much more sense now."

Dick laughs and claps his hands, delighted.

"You were not formally adopted?" The grumpy small one—Dami?—asks, his face pinched.

"I didn't even know I was informally adopted."

"And your parents? Are they alive or dead?"

"Damian, stop—"

"They were dead in the future, but they're alive now." Danny says, looking down. He fiddles with the tablecloth, twisting the fabric around his fingers as he fights down the pang of sadness that he always feels when he thinks of them now. He forces a bright smile on his face and hopes it doesn’t look too strained. "I just, uh, can't talk to them much, anymore."

"Damian," Dick warns, "1 colon 65 dash 9. Treat them as family, no questions asked."

"This is Damian treating him as family, the little turd has no manners." Tim scoffs, rolling his eyes, but he gently bumps shoulders with Danny to knock him out of his funk. Danny can't help but send him a watery smile.

"I have the most exemplary manners, Drake, unlike some people." Damian spits, crossing his arms with a pout. "I was merely ascertaining his status to see how he could possibly fit into the family."

"I know this is all a bit sudden, Danny," Bruce smiles, ignoring Damian and reaching out to lay a warm hand on his arm, "for all of us. But if I felt strongly enough to give you that code after spending a week with you in the future, then you are more than welcome in this family, if you so choose it. I think I can speak for all of us when I say we'd like to get to know you a bit more."

"I know a threat when I hear it, Bruce." Danny snorts. "But, yeah, I get it. I'm sorry this is all so weird, it really wasn't how I wanted to find you again, but... I'm glad I did."

"So are we, Danny." Dick says, with a warm smile. "And formally or not, 1 colon 65 dash 9 means you're family. Welcome to the fun house! No take backs or refunds, sorry. You're stuck with us."

[hanasnx]

MINORS DNI 18+

! ── BABY DADDY!JASON TODD who can't come around more than once or twice a year. His way of life isn't sustainable for a home, and it certainly isn't safe for a daughter. You and him decided it was best to part ways before that positive pregnancy test, and since he discovered a kid he helped make it didn't change his level of involvement. He's got a lot of eyes on him, and he can't draw attention to anything important to him.

! ── Your daughter adores him. She squeals with delight every time he visits, running full barrel towards him so he can scoop her up. Unbeknownst to her your concern with how he found you again, and how he broke in to the apartment. Apparently running and hiding is not enough when you face the Red Hood. You reluctantly greet him with a half-assed kiss on the cheek, wrapping your arm around his neck to incline him towards you. Your daughter on his hip takes full advantage of hugging you both at the same time, and pressed against your former lover makes you tight-lipped.

! ── He's dangerous for a number of reasons that span beyond what any angry enemy of his would do if they found out where he's been going. You're most afraid of what he's able to make you do the longer you're with him. Only able to hold onto your anger for so long until he melts that cold exterior and somehow convinces you to let him warm your bed again.

! ── He's got it down to a science. As soon as you give him that scathing look, he tells your daughter to run along because "Mommy and Daddy have to talk." while she thoughtfully strokes his chin with her little hand, only to nod with an audible sigh, shaking out her wild hair she won't let you brush. With a little push to her back, she scampers off to her room and he stands to his full height. "I just wanted to see her." he tells you, with that pleading tone you've fallen for countlessly because he knows you're going to say: "It's not safe." for the thousandth time.

! ── He'll tower over you, incline towards you while you scold him under your breath. A hushed argument ensues that your daughter tries to listen in on, and can only hear bits and pieces about how she's not owned, and her dad should get to see her. Stuff she doesn't understand, especially because she can't understand his lack of presence being such a complicated thing when she has no sense of object permanence. If a dad refuses to be there more, it's a problem. You want to cut Jason out completely. That's not fair, as he'll tell you, to the daughter you get to keep.

! ── It's in the way he stands next to you. He's so much taller than you, broader, and muscled. He bulks up more and more every time you see him. He doesn't use his size to intimidate you, rather takes advantage of something else. Big hands stuffed in his back pockets make his leather jacket sit on his wide shoulders exquisitely. His hair is windblown from his motorbike and just the smell of him has a dangerous Pavlov effect on you. Like your eyes want to flutter as they roll into the back of your head and lightning shoots straight down to your core, stinging at the memory of what it's like to be filled by him. The longer you're with him, the thinner your resolve becomes. It evaporates in front of you as he sweeps a hand through his hair, and his posture slacks. "C'mon." he drags out the word playfully, advancing on you. Your hand interrupts him, bracing on his firm chest to keep him from coming closer. "Can't we talk about something else? You're getting me all worked up. Missed you."

You roll your jaw, that resolve slipping. Addicted to him, you're reticent as his tongue darts out to wet his lips while he's eyeing yours. "Jay..." you murmur, and he can hear the defeat in your voice.

! ── "Lucky we got a sitter, huh?" Jason's smug voice cuts through the wet sounds of sex that fills the room. "Now I get some time with my other little girl." That sick delight causes you to reach back, weakly banging your fist against his thigh. He snickers, wolfish and husky resounding from the back of his throat. "Mommy's been missing me, huh? Can feel her clenching down on me like a fuckin' vice."

His thick cock hurts stretching you out, but you needed that pain. There's something about Jason that keeps you saying yes, and it pushed through your requirement of foreplay, unbuckling that belt in haste, comfort be damned you wanted that dick. You're on all fours and he's giving it to you from the back, just how you like it, fucking you like a dog while his hand tangles all up in your hair. He yanks you back by it, and you can't even think of what to say other than mindless pleasured babbles.

"You let me do this every time I come over. Seems like you fuck with me or something." It's true, regardless of the cruel insults you've thrown at him to get him to stay away from you, it's all because you can't say no to him. It's the reason you got pregnant, it's the reason you can't run away far enough, and it's the reason you fuck him every time he comes to visit the kid he helped make.

[certaimromance]

𝜗𝜚 Cherry Picking.

Spencer Reid x Fem!reader

Summary: After your first night with Spencer, you wake up and see that he's left you two dollars and a thank-you note on your bedside table.

Words: 2,3k.

TW: lots of mentions and references to sex, but nothing completely explicit. the reader is quite dramatic and has little faith in men (literally me, sorry). SO MUCH chaos and lack of communication but happy ending. english isn't my first language (sorry for my mistakes, be kind please).

Note: This idea just came to me out of the blue, and I have to say that Sex and the City has had a bit of an influence. I love the chaos, the conversations between friends, and Spencer being the best man in the world (I'm picturing him kind of like in his season four version).

♡ Enjoy! ♡

Saturday afternoon

“Two dollars?!”

Penelope's and JJ's simultaneous exclamations and surprised faces when you finished speaking were pretty much to be expected. They noticed a change in your expression and took a moment to compose themselves, as did the rest of the people in the room, who glanced curiously at your table from time to time. It was certainly a fascinating sight, three women having an animated conversation about their lives over milkshakes as if they were drinks, especially considering that one of them was pregnant and her belly looked like it was about to explode.

You didn't blame anyone for reacting that way, especially not your friends. You were still pretty shocked by what happened, especially by how thoughtless the man you'd developed feelings for and worked closely with over the past few years was. It was a unsettling to find a tip on your nightstand after one of the most memorable nights you'd ever had. You still remembered the excitement you felt when you went to Spencer's apartment yesterday to watch a movie as part of your fourth or fifth date. He seemed nervous when you started kissing more intensely, and the couch wasn't the best setting. The sensation of your body on his bed and his lips on your skin was incredible.

It was a good memory, extremely good if you took away the embarrassment of waking up the next day in his empty bed with money waiting for you, as if you had performed a service.

“Maybe there was a misunderstanding and the money was left on the table by mistake.” Jennifer spoke again in a reassuring tone after turning the matter over. “Spencer can be a little clumsy sometimes.”

You pressed your lips together in a thin line as you listened to her attempt to provide an explanation for his actions. But given their friendship, this was to be expected.

“And he was in a hurry to catch his plane and go to his mother.” Garcia added with a forced smile, trying to lift your spirits. “It all makes sense.”

Yes, it was understandable that he was leaving in a hurry because he had to catch a flight to spend his weekend off with his mother. That didn't worry you, but there was something else that was curious.

“How do you explain the thank-you note?” You asked, taking out the paper and the two dollars you'd pulled out to show them as proof from your purse.

“It was a thank you for hanging out with him, a sweet gesture.” JJ said, taking a sip of her milkshake and patting her belly.

It seemed more like a sour gesture to you, that you had been left with your dignity on the floor. As you left his apartment, you didn't know whether to cry or laugh because it sounded like a bad joke that the only man you thought was decent and for whom you allowed yourself to have feelings would do such a thing.

“My love life is going downhill.” You said.

Just then, the restaurant door opens and Emily appears. After greeting her and apologizing for her late arrival, she asks about the cause of your apparent distress. As a profiler, she was astute enough to know something was wrong just by looking at you.

“What's wrong, honey?” She started talking as soon as she sat down next to you and took a quick look at the table. “Those milkshakes look good, I want one.”

“Spencer thinks I'm a prostitute.” You spoke up without thinking, which surprised Emily and caused her to briefly lose her grip on the menu.

There was a long, awkward silence.

Perhaps you were too direct in saying something that you had been trying to ignore for your own mental health.

“Just a heads-up, we've got a baby in the room. No need to say that word!” Penelope was the first to speak, gently covering JJ's belly with her hands. “He can hear you.”

At that moment, Reid and his comments about pregnancy data at every stage came to mind. You felt a little uncomfortable because you knew it was a little unrealistic to focus on the positives at a time like this.

“Oh, I'm so sorry, baby.” You looked regretfully at your friends and spoke to Jennifer's belly, giving it a gentle caress. “Don't listen.”

“I need context, please.” Emily said confusedly, trying to understand what was going on and why you had said what you had said.

You let out a deep breath, preparing yourself to recount the story once more.

“Okay, Spencer and I made...milkshakes. Very good milkshakes, really good if you know what I mean.” You tried to explain slowly, watching your words and your friends' expressions. “I woke up when he was leaving, he gave me a kiss on my forehead and said to keep sleeping, that he had to catch his flight.”

“That's sweet, but weird to know.” Emily commented quizzically, looking at the menu intently again. “What's the part...you know?”

“Oh, when he thought I was-” You stop yourself as you see how JJ looks at you. “A pie maker.”

You could tell from their expressions that they were about to laugh at your attempts to keep the conversation friendly.

“I woke up hours later to find two dollars on the nightstand with a thank-you note.” You finished the story. “To him, I'm worth two fu...sugary dollars.”

Prentiss stared at you for several seconds, waiting for me to tell her it was a joke. Only when that didn't happen did she speak. “That sounds weird and awful, but I don't think he would do something like that on purpose. Especially you, he really likes you.”

“He likes me enough to give me two dollars.”

When you finished speaking, you experienced a moment of discomfort in your stomach as your own words took effect. You were surprised to find that on a deeper level, what had happened was causing you more pain than you had anticipated.

“That doesn't sound like Reid at all. I've known him for years, and he's not that kind of man.” Penelope said with a frown, trying to reassure you. “I'm sure it's a mix-up.”

You were looking for the same thing and hoping it was just a misunderstanding, but your previous bad experiences made you think otherwise. You'd met enough men to know that they could always be worse. What was different now was that you really liked this particular man. You really longed for him to be different from everyone else.

However, things weren't always as you'd hoped. You'd invested a lot of hope in making your fairy tale come true, and it was starting to take its toll.

“Have you had a chance to speak with him?” JJ inquired.

“He's with his mother, I won't bother him.” You replied with a strange simplicity that made your friends suspicious. “I'm fine, I've calmed down.” You added as you saw their worried faces.

“I love you, but sometimes you scare me.” Emily said, watching you drink from your smoothie as if it contained a painkiller. “It's not okay to pretend that everything's fine.”

“It's understandable to feel a bit discouraged about this. Things may seem challenging at the moment, but I believe things will improve when you discuss this with him.” Jennifer's hand gently touched yours, offering a comforting gesture.

“I'm sure everything will be fine. You have our support if you need it.” Penelope joined in with the motivational words and gave you a reassuring smile.

You took the last sip of your milkshake and leaned back in your seat for a moment before replying. “I'm fine, girls. I don't plan to lose my head over a man, I promised myself.”

They looked at you with some skepticism, but you didn't flinch. You were confident that if you were mentally prepared not to be defeated, or at least not to look defeated, you would be well prepared for the day of the meeting.

You weren't going to lose your mind over this.

Monday morning

You were definitely losing your mind, and no cup of tea or internet video that promised to do so had been able to relax you one bit. You had been cooped up in the office you shared with Penelope for several minutes, pacing in your chair while everyone in the conference room waited for information about a new case and your presence. The mere thought of having to face Reid again was making you feel pretty uneasy.

All weekend, you had been trying to reassure yourself that you were doing well, that you were not hurt or affected by what happened, that it was just one more disappointment to add to the long list you had written since you were a teenager, and that it was normal for someone with your luck. You were not a princess, you were not going to meet a prince, and you were old enough to know that.

But being in the same building as your prince turned toad was not as easy as you had hoped. You prayed that your presence would not be necessary and that the jet would soon take off to take them all away, especially him.

A few sudden knocks on the door startled you. You automatically thought it was your boss coming to scold you for being late, and your blood froze.

“I apologize for the delay, Hotch. I assure...” You spoke promptly as soon as the door opened and a male figure appeared.

But obviously, it wasn't him.

“Oh, sorry, I'm not Hotch. But hey, how are you?” Spencer smiled at you and walked toward you, looking a little nervous.

“Fine.” You replied dryly, getting up from your seat to grab your tablet and some folders to carry into the conference room.

In your mind, you had planned to make a scene as soon as you saw him and make it clear that you didn't cost just two dollars. But after thinking about it a lot, the fear of losing your job over it was greater. And now it was a mixture of that reasoning with your feeling of paralysis at actually having him in front of you.

“I...I missed you over the weekend.” He stopped you before you could walk away, gently holding your hand. The feeling alone made you stop and look at him angrily. “I thought about you a lot, too much, and I bought you something.” He let go of your hand to pull a small box out of his pocket.

“How dare you?” You blurt out, taking a step back.

He looked a little uncomfortable and seemed to be in pain. “I'm sorry if I overstepped. I didn't mean to impose. Did I cross a line? I'm so sorry, I just thought-”

“What? That you could embarrass me even more? Didn't I already go through enough?”

That's when you took out two dollars from your purse and gave it to him.

“Could I ask why this is?” Spencer was still frowning and looked just as hurt as you.

His apparent lack of understanding of the situation made you much angrier. You had thought he was probably the smartest man you had ever met in your entire life, but suddenly, in your eyes, he was an idiot.

“I'm refunding your payment, Reid.” You replied firmly, without hiding your frustration.

The confusion on his face seemed to multiply as he tried to understand. “What are you talking about? I gave you your money back.”

You tilted your head slightly to one side.

“Saturday morning, I left on the nightstand the two dollars you lent me a week ago when we bought coffee. You know I don't like being in debt.” Spencer began to explain calmly, taking a moment to gather his thoughts and present the facts in a clear and concise manner.

Oh, you do remember lending him money at some point, or rather, inviting him for coffee that he said he'd pay you back. That day when his hair was perfect in the wind, when he smiled at you and told you some interesting facts about coffee beans.

“I mentioned it when I said goodbye, but you looked so tired that I left you a thank you note in case you forgot.” He went on to explain. “A lot of studies say that you wake up to full strength at least 20 to 30 minutes after you actually open your eyes. And you still had them closed when I said goodbye.”

“Oh.”

“Oh?”

“I...I thought you-” You fell silent as you saw the stunned look on his face. You didn't want to look crazy, so you quickly added. “I just thought wrong.”

“I'm sorry, I don't understand.” He said, a little embarrassed. “Did I do something wrong?”

“Oh, no, I just...did you bring me a gift?” You changed the subject, taking the box he had previously offered you. Inside was a necklace with a cherry blossom charm.

“Your computer wallpaper is a picture of cherry blossoms. And I saw this necklace in a store when I was walking with my mom, and I thought you might like it. But it's okay if you don't want it-” He spoke fast until you interrupted him.

“I love it, thank you.” You smiled at him and took the necklace out of the box. “Could you help me with this?”

With some trepidation and uncertainty still present, Spencer positioned himself behind you with the jewel in his hands, carefully brushed your hair aside and fastened the necklace around your neck. The sensation of his fingers brushing against your skin made you feel a slight shiver.

“Thanks.” You said as you turned around to face him. You gave him a hug, though you were a little unsure.

He returned your embrace, feeling a sense of relief that things between you were okay. “You don't have to thank me.”

“It's not about the gift. It's just a way to say thanks for being you.”

Perhaps he was your prince after all.

[idolomantises]

Wasn't sure when it would be the best time to discuss this, but since the ending is drawing near... yes, Bugtopia is ending.

It was a decision I really wrestled with myself for months over it, before finally concluding that letting it end after 40 episodes was the better option. Just to be clear, webtoons did not force me to end the series. They even offered to give me a pay raise to continue the series. It was my decision due to a multitude of personal factors. I'll just repeat what I said on my patreon:

I just want to say, first of all, thank you all so much for patiently waiting for my series to release and for supporting my work as I began developing the series. Bugtopia was a series I genuinely loved and adored and it made me feel so incredibly happy that people were turning their heads towards a series about weird bugs and their natural lives.

However, as you can probably guess, it pains me to say that I am concluding the series after season 1. I had 4 seasons planned with new characters to introduce, but unfortunately, I cannot see myself continuing to work with Webtoons and I want to pursue other projects.

This decision was due to a compiling number of issues with the company, the final straw was when they had a mass layoff, fired my editor that I've been working with for two years, and did not inform me for a week, leaving me in the dark until they randomly assigned me with someone else. My new editor is great and I'm glad I'm working with someone so patient and understanding, but this decision to fire my previous editor, the one who got me the job to begin with, without prior warning made me feel disrespected and disregarded, and it killed all motivation I had for properly completing the series.

I also felt incredibly overworked, I was spending vacation days working on comics and avoiding time with family just so I could get something done for webtoons once I come home. I feel like so much time was being wasted away for a company that paid me so little that I had to work twice as hard building up funds on my patreon. Bugtopia just ate up so much of my time. The pay also didn't make up for it. It's commonly assumed that webtoons authors make about $800 for the episodes they do, but that's not true. In fact, you can make far less depending on the amount of panels expected for your contract. It doesn't help that the artwork i did for banners and promotions were all things I had to draw and didn't get paid for, and the work I gave was either tampered with or scrapped, making me feel like I spent more hours of my day wasting time. There were also comics I had to censor and scrap, likely due to another series being in hot water for its racially insensitive content. But it was just extra work I wasn't being paid for. It also frustrated me because I was seeing other series with far more explicit content getting away with a slap on the wrist (turns out you can't say "fuck" anymore without it being hit with a mature rating, disappointing!)

In all honesty, it just felt like webtoons needed me more than I needed them. I was making more money from patreon in a week than I was making from webtoons in a month.

Personally, while I don't really regret my time with Webtoons and met some great people along the way, I honestly don't think any artist should work with them. You will be severely overworked and underpaid, and will barely be featured in ads unless your series becomes an instant hit immediately. It doesn't really matter how successful you are, you're just a product to Webtoons, put yourself above the corporation.

I have tried my best to provide you all with a satisfying conclusion to Bugtopia, even if some episodes may feel rushed or incomplete, but I completely understand if the conclusion isn't to your liking and I do apologize, but I could not continue working on this series if this was the mistreatment I was going to continuously get. I owe a massive thank you to my editor and assistants for helping me complete the series, I truly don't think I could have ever finished it without them.

Though I am done with Bugtopia, that does not mean I want to stop projects entirely, so please don't feel bad for me. I have a lot of upcoming projects and ideas in the works, and I'm still continuing the Monsters and Girls series.

Will Bugtopia ever return... possibly. I retain complete ownership of the series after a few years, and I wouldn't mind continuing the canvas series (or possibly starting over). Unfortunately I don't think I can continue the Webtoon Original as it belongs to webtoons now, but never say never I suppose!

[narumi-gens]

boundaries gojo satoru x f!reader

post-breakup!gojo who can't quite follow through on the breaking up. he's as present in your life after he ended things as he was when you were still dating.

he still blows up your phone at all hours with nothing important. he insists on holding your hand when you walk side-by-side. he still uses your apartment key, which you never had the heart to ask for him to return. you've ended up in more than one heated makeout session with him, although you have managed to keep them from progressing past him feeling up your tits over your bra.

and when you end up in the hospital after a mission, he shows up before even shoko can get there. you sigh when his towering form appears in the doorway of the room you've been given.

"looks worse than it is," you say and despite the way you slur your words due to the painkillers, it's true.

your concussion, while serious, isn't something that wouldn't heal on its own. your broken ribs managed to avoid puncturing any organs. even the burst blood vessel in your left eye that's colored the white of your eye a ghastly red is only really a surface-level injury.

but for once, the man who never shuts up stays silent as he pulls a chair close and sits at your bedside. he reaches for your hand but pauses when you wince at the pressure on the two fingers that are fractured and wrapped in a splint. instead, he settles for loosely holding onto your wrist.

"shoko's gonna fix it all anyways," you tell him through a yawn, your eyelids feeling heavy. "'sides, you shouldn't even be here. boundaries, satoru. 'member?"

it's a word that you've tossed in his face so many times since the breakup that it's lost all meaning. and it doesn't help that you've never managed to say it with any sort of real weight. instead, it usually comes out on the end of a resigned sigh.

you can feel his gaze on you even through his dumb sunglasses. normally, even post-breakup, you would reach out and pull them down his nose to meet those cursed eyes of his and make some joke. but with your brain working at a diminished capacity and your arm hooked up to an IV full of the best painkillers japan's doctors have to offer, all you can do is slowly blink at him in return.

"it's always boundaries this, boundaries that with you," he finally retorts with a shake of his head, but offers nothing else.

"'f you didn't want boundaries then you shouldn't've ended things, y'big dummy," you mumble, and no longer able to keep your eyes open, you finally let them close.

"I told you. I don't have room in my life for anyone else – i.e., you," he replies bluntly and you can feel the fit of giggles that you want to burst into, but all you can manage is a soft huff of laughter.

"liar," you say with a sleepy smile stretching across your lips. "can't even be honest when I'm strung out on painkillers. psh. lame."

it takes monumental effort, but you manage to crack open an eye so that you can see him sporting his own cheeky grin.

silence settles over you both and you feel yourself slowly beginning to fall into the blackness as your breathing slows. the soothing sensation of gojo's thumb rubbing circles on the skin of your wrist only aids in pushing you closer and closer to sleep.

"you were considered a suitable match." even on the edge of consciousness, the disgust in his tone at those two words reaches you. "I couldn't let them get what they wanted."

you let out a quiet hum in acknowledgment and wish you had enough strength to open your eyes, curious to see if he's surprised you weren't fully asleep yet.

"still letting 'em control you, hm? s'good we broke up. want someone who's only tied down by me," you mumble.

"baby, if you want to tie me down, all you had to do was say so," he jokingly responds, unsurprisingly choosing to sidestep the gravity of your words, no matter how slurred they were.

"boundaries, 'toru..." you trail off as you finally succumb to sleep.

[flanaganfilm]

The Midnight Club - Season Two

I'm very disappointed that Netflix has decided not to pursue a second season of THE MIDNIGHT CLUB.

My biggest disappointment is that we left so many story threads open, holding them back for the hypothetical second season, which is always a gamble.

So I'm writing this blog as our official second season, so you can know what might have been, learn the fates of your favorite characters, and know the answers to those dangling story threads from the first season.

So for those of you who want to know what we were planning to do, here's a look at what would have been season 2!

AMESH Season 2 would open with Amesh, his glioblastoma advancing quickly. He would tell the first story of the season, but would be struggling to make it through. We'd focus on his love story with Natsuki for those first few episodes as it becomes clear that Amesh's death is imminent.

Meanwhile, Ilonka is trying to reconcile how she was fooled by Julia Jayne, all while falling further in love with Kevin, and she realizes he may be fading faster than he lets on.

Ilonka begins a serialized story in an effort to encourage him to "stay alive a little longer," like he did in season one. And the story she tells is... REMEMBER ME.

This was the thing I was most excited about for this season.

REMEMBER ME is one of my all-time favorite Pike books - it tells the story of a teenage girl who is pushed off a balcony, and awakens as a ghost. She has to navigate being a spirit while trying to solve her own murder. We would have stretched this story out over 5 episodes. We were going to use it as a vehicle for Ilonka to try to come to terms with the fact that she is going to die, and to begin to trying to wrap her head around being a ghost... but this is the coolest part... the lead character of Ilonka's story wouldn't be played by Ilonka. She'd be played by...

Anya.

Because this is how we live on, isn't it? In the minds of those we leave behind. And Ilonka would use REMEMBER ME as a way to imagine her dear friend Anya, waking up as a ghost, navigating the afterlife. And this sets up one of the best mechanisms of the show - even if a character dies, as long as they're remembered by members of the club, they live on in their stories.

As the story starts to pick up steam, though, the group will have to deal with the death of Amesh, which he greets with grace and bravery.

In his final moments, he sees someone in his room - the Janitor from the first season, as played by Robert Longstreet, who says comforting things to Amesh even though he can't respond.

In his final, final moments, the SHADOW descends upon Amesh, and he is engulfed into it, which reinforces the idea that the Shadow is DEATH...

With Amesh's death comes something that upends the entire thing: a NEW PATIENT. We didn't work out too much about who this would be, but it would be a new roommate for Ilonka. Someone taking Anya's old bed. Ilonka would find herself being initially cold to her - just as Anya was when Ilonka arrived. Even feeling like this new girl shouldn't necessarily be ushered into the Club. But of course they would develop a beautiful friendship over the course of the season. The new girl joins the club, where something else exciting is happening - Cheri is telling a story. We hadn't decided which one, but I think it might have been MONSTER.

Natsuki would be the next to die, which would be heartbreaking. And again, she would talk to the janitor just before it happened... and again, the Shadow would come in the final moments.

For Spence, though, things would take a different turn.

The advancements in HIV treatment in the late 90's would come into play, and we'd see his prognosis change. The HIV cocktail came out in Dec 1995, and we really wanted to explore that.

Spence would ride the swell of antiviral advancements, and by the end of the season, he'd no longer be classified as terminal. In the finale of season 2, Spence would leave Brightcliffe just like Sandra did in Season 1, heading off to manage his disease and live the rest of his life.

But onto the BIG MYSTERIES of the season one... here are some answers: What is up with Dr. Stanton's tattoo and bald head? Well, a few things. First, Dr. Stanton is actually the daughter of the original Paragon cult leader, Aceso. Her nickname was Athena, she wrote the Paragon journal that Ilonka found in S1. She turned on her mother and helped the kids escape, but because she was part of the cult in her teenage years, she had the tattoo.

It was her initials that Ilonka found carved into the tree in season 1 (her maiden name was Georgina Ballard, hence the G.B. that Ilonka finds carved in the tree).

She hated what her mother became, and the atrocities of the cult. She reclaimed the property after her mom was gone, and wanted to change it into a place that celebrated life. She was trying to undo her mother's legacy and leave something behind that was beautiful. She is wearing a wig at the end of S1 not because of a sinister reason, but because she is undergoing chemo. Dr. Stanton has cancer. Having helped so many people deal with disease, she now has to deal with it herself.

Her treatment would be successful, and she'd go into remission, but having to face that - while caring for the terminal kids at Brightcliffe - was going to be a very introspective arc for Stanton.

What about the Living Shadow? It's Death, right? Well... no.

At the end of the season, Kevin will die... followed shortly by Ilonka. And as she is dying, two things will happen. First, she'll find herself talking to the Janitor, played by Robert Longstreet... and she'll make a discovery.

HE is Death. And nothing to be afraid of. It turns out no one else ever saw this character. Stanton has a cleaning service, and the Nurse practitioners make up the rooms - the only people who ever saw this mysterious Janitor were the patients. He is Death, and offers them kind words before they die. Then what was the Shadow?

This is an idea we take directly from the book REMEMBER ME, and we'll see it play out in the final moments of Ilona's final tale. In Pike's book, Shari is pursued by a dark entity called The Shadow. When it finally catches her, though, it turns out it is not a bad thing at all.

The Shadow is THEMSELVES. It's the Unknown. As it engulfs someone, in the last moment of their life, it takes them through a place of understanding and catharsis, preparing them for the next step.

THIS is what happened to Anya in S1 when the Shadow finally reached her - that's why she fantasized a life beyond Brightcliffe, which ultimately let her find acceptance of her death. It looks different for everybody, depending on their mind-set - because it is simply an extension of themselves.

The Shadow is just the final catharsis, a return to our original form - it is a moment of true understanding, and once we experience it, we move on to the next place.

We see the Shadow in full effect when it finally comes for Kevin. KEVIN DIES with Ilonka at his side, and it leads to the biggest reveal of the season:

Who were the Mirror Man and the Cataract Woman?

They were Stanley Oscar Freelan and his wife, who built Brightcliffe (fun trivia, he is named after the real-life Freelan Oscar Stanley, who built my favorite hotel in America - the Stanley Hotel. The Stanley is also the inspiration for THE SHINING!).

But more than that... there's a reason that Ilonka only sees Stanley in the mirror, and sees the Cataract Woman whenever she looked at Kevin. This is something else we took from Pike's original book... these aren't ghosts, but glimpses of PAST LIVES.

Ilonka WAS Stanley Oscar Freelan, and Kevin WAS his wife. They've lived many lives this way, and are true SOUL MATES - they always find each other, and they always fall in love. In this life, they knew it would be a short one, so they agreed to find each other in the house they built. They've been "remembering" who they are, and glimpsing their former selves in reflections, and sometimes when they look at each other. This is also why Ilonka's very first words to Kevin in S1 were "Do I know you?" and why Kevin thought she was familiar as well. They are two souls who always find each other, again and again.

The story is this: Stanley was dying, and built this cliffside home hoping that the seaside air would help him. It did, and he far outlived his prognosis (this is also true of the real-life Freelan Stanley). However, his wife began to succumb to dementia.

She would wander the halls, looking for him ("Darling!") and would even forget to feed herself ("I'm starving...") and she eventually refused to leave the basement. Heartbroken for her, Stanley painted the walls to resemble the woodland view, and the ceiling to resemble the night sky, so that it would be a little more beautiful for her.

He also painted a labyrinth on the floor, which was a technique used to try to curb the effects of dementia. She'd walk the pattern of the maze and it was believed it could help her cognition. Eventually, she developed frightening cataracts, but Stanley loved her through it all.

They were soul mates.

So while they seemed scary in season 1, that was just how Ilonka and Kevin's mind were trying to remember their pasts. We even had their faces distorting in ways consistent with how memories degrade over time. When the Shadow comes for Ilonka, and gives her this understanding - this "remembering" - she realizes she has nothing to fear. She and Kevin will shed these personas and be reborn, and have the joy of finding each other another way. The Shadow comes for her, Death takes her gently, and Ilonka goes off with Kevin back into the cosmos, ready for their next incarnation. The series would end with Cheri telling this story to a whole new table of patients, including our new series leads. Most of our original cast now would exist as stories, a story told to the next "class" of storytellers at the table, all of whom we will have met by the end of the season. A story called "The Midnight Club."

Well, that's it... that was what we had in mind. It's a shame we won't get to make it, but it would be a bigger shame if you guys simply had to live with the unanswered questions and the cliffhanger ending. I loved making this show, and I am so proud of the cast and crew. Particularly our cast, who attacked this story with incredible spirit and bravery each and every day.

But for now, we'll put the fire out, and leave the library dark and quiet. To those before, and to those after. To us now, and to those beyond.

Seen or unseen, here but not here.

I'll always be grateful that I got to be part of this Club.